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Universal Harvester
Cover of Universal Harvester
Universal Harvester
A Novel
Borrow Borrow

Jeremy works at the Video Hut in Nevada, Iowa. It's a small town in the center of the state—the first a in Nevada pronounced ay. This is the late 1990s, and even if the Hollywood Video in Ames poses an existential threat to Video Hut, there are still regular customers, a rush in the late afternoon. It's good enough for Jeremy: it's a job, quiet and predictable, and it gets him out of the house, where he lives with his dad and where they both try to avoid missing Mom, who died six years ago in a car wreck.

But when a local schoolteacher comes in to return her copy of Targets—an old movie, starring Boris Karloff, one Jeremy himself had ordered for the store—she has an odd complaint: "There's something on it," she says, but doesn't elaborate. Two days later, a different customer returns a different tape, a new release, and says it's not defective, exactly, but altered: "There's another movie on this tape."

Jeremy doesn't want to be curious, but he brings the movies home to take a look. And, indeed, in the middle of each movie, the screen blinks dark for a moment and the movie is replaced by a few minutes of jagged, poorly lit home video. The scenes are odd and sometimes violent, dark, and deeply disquieting. There are no identifiable faces, no dialogue or explanation—the first video has just the faint sound of someone breathing—but there are some recognizable landmarks. These have been shot just outside of town.

So begins John Darnielle's haunting and masterfully unsettling Universal Harvester: the once placid Iowa fields and farmhouses now sinister and imbued with loss and instability and profound foreboding. The audiobook will take Jeremy and those around him deeper into this landscape than they have ever expected to go. They will become part of a story that unfolds years into the past and years into the future, part of an impossible search for something someone once lost that they would do anything to regain.

This program is read by the author and includes original music.

Jeremy works at the Video Hut in Nevada, Iowa. It's a small town in the center of the state—the first a in Nevada pronounced ay. This is the late 1990s, and even if the Hollywood Video in Ames poses an existential threat to Video Hut, there are still regular customers, a rush in the late afternoon. It's good enough for Jeremy: it's a job, quiet and predictable, and it gets him out of the house, where he lives with his dad and where they both try to avoid missing Mom, who died six years ago in a car wreck.

But when a local schoolteacher comes in to return her copy of Targets—an old movie, starring Boris Karloff, one Jeremy himself had ordered for the store—she has an odd complaint: "There's something on it," she says, but doesn't elaborate. Two days later, a different customer returns a different tape, a new release, and says it's not defective, exactly, but altered: "There's another movie on this tape."

Jeremy doesn't want to be curious, but he brings the movies home to take a look. And, indeed, in the middle of each movie, the screen blinks dark for a moment and the movie is replaced by a few minutes of jagged, poorly lit home video. The scenes are odd and sometimes violent, dark, and deeply disquieting. There are no identifiable faces, no dialogue or explanation—the first video has just the faint sound of someone breathing—but there are some recognizable landmarks. These have been shot just outside of town.

So begins John Darnielle's haunting and masterfully unsettling Universal Harvester: the once placid Iowa fields and farmhouses now sinister and imbued with loss and instability and profound foreboding. The audiobook will take Jeremy and those around him deeper into this landscape than they have ever expected to go. They will become part of a story that unfolds years into the past and years into the future, part of an impossible search for something someone once lost that they would do anything to regain.

This program is read by the author and includes original music.

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About the Author-
  • John Darnielle's first novel, Wolf in White Van, was a New York Times bestseller, National Book Award nominee, and a finalist for the Los Angeles Times Book Prize for first fiction, and widely hailed as one of the best novels of the year. He is the writer, composer, guitarist, and vocalist for the band the Mountain Goats. He lives in Durham, North Carolina, with his wife and sons.
Reviews-
  • Publisher's Weekly

    Starred review from December 12, 2016
    Beginning on the cusp of the 2000s and spanning more than 25 years, the second novel from Darnielle (Wolf in White Van) is a slow-burn mystery/thriller whose characters are drawn together by an eerie discovery. In his early 20s, Jeremy Heldt lives with his father, Steve—Jeremy’s mother was killed in a car accident six years before—and bides his time clerking at the Video Hut in Nevada, Iowa, waiting for better prospects to arise. It’s a steady job that keeps him out of the house, though things turn weird when customers begin to report dark, disjointed, unnerving movies-within-the-movies on their rented VHS tapes. At first reluctant to become involved in tracking down the origin of the clips, Jeremy, at the urging of his acquaintance Stephanie Parsons, uncovers the tragic decades-long story behind the videos and experiences an unsavory side of Iowa that he never imagined could exist. Powerfully evoking the boredom and salt-of-the-earth determination of Jeremy, his friends, and a haunted survivor determined to redress a great loss, Darnielle adeptly juggles multiple stories that collide with chaotic consequences somewhere in the middle of nowhere. With a nod to urban legends and friend-of-a-friend tales, the author prepares readers for the surreal truth, the improbable events that “have form, and shape, and weight, and meaning.” Agent: Chris Parris-Lamb, the Gernert Company.

  • AudioFile Magazine What begins as a creepy horror story evolves into a melancholy meditation on loss and grief as delivered by author/narrator John Darnielle. Jeremy works at the Video Hut in Nevada, Iowa. Several customers report "something else" on their tapes, so Jeremy takes them home to watch and finds eerie black-and-white footage spliced between scenes. When he realizes a farmhouse pictured in the scenes is not far from town, he and the store's owner are drawn to investigate. Musical interludes can sometimes feel intrusive but ultimately help guide the listener between sections, and Darnielle's understated narration is a perfect match for the quiet story. His restrained delivery highlights the steady Midwestern attitude of his characters, making the story's pensive strangeness that much more unsettling. E.C. Winner of AudioFile Earphones Award � AudioFile 2017, Portland, Maine
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    Macmillan Audio
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    All copies of this title, including those transferred to portable devices and other media, must be deleted/destroyed at the end of the lending period.

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A Novel
John Darnielle
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