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Leaving the Atocha Station

Cover of Leaving the Atocha Station

Leaving the Atocha Station

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Adam Gordon is a brilliant, if highly unreliable, young American poet on a prestigious fellowship in Madrid, struggling to establish his sense of self and his relationship to art. Instead of following the dictates of his fellowship, Adam's 'research' becomes a meditation on the possibility of the genuine in the arts and beyond: are his relationships with the people he meets in Spain as fraudulent as he fears his poems are? Is poetry an essential art form, or merely a screen for the reader's projections? A witness to the 2004 Madrid train bombings and their aftermath, does he participate in historic events or merely watch them pass him by?

Adam Gordon is a brilliant, if highly unreliable, young American poet on a prestigious fellowship in Madrid, struggling to establish his sense of self and his relationship to art. Instead of following the dictates of his fellowship, Adam's 'research' becomes a meditation on the possibility of the genuine in the arts and beyond: are his relationships with the people he meets in Spain as fraudulent as he fears his poems are? Is poetry an essential art form, or merely a screen for the reader's projections? A witness to the 2004 Madrid train bombings and their aftermath, does he participate in historic events or merely watch them pass him by?

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About the Author-
  • Ben Lerner is the author of three books of poetry: The Lichtenberg Figures, Angle of Yaw, and Mean Free Path. Lerner was a finalist for the National Book Award and the Northern California Book Award, a Fulbright Scholar in Spain, and the recipient of a 2010-2011 Howard Foundation Fellowship. In 2011 he became the first American to win the Preis der Stadt Münster für Internationale Poesie. He teaches in the writing program at Brooklyn College.

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  • Publisher's Weekly

    July 4, 2011
    In Madrid on a fellowship, a young American poet examines his ambivalence about authenticity in this noteworthy debut novel by acclaimed poet Lerner, whose poetry collection, Angle of Yaw, was a finalist for the 2006 National Book Award. Adam, the hilariously unreliable narrator who describes himself as a "violent, bipolar, compulsive liar," is both repellent and reassuringly familiar, contradictorily wishing to connect and to alienate. His social interactions are often lost in translation: "They wanted the input of a young American poet writing and reading abroad and wasn't that what I was, not just what I was pretending to be? Maybe only my fraudulence was fraudulent." Lerner has fun with the interplay between the unreliable spoken word and subtleties in speech and body language, capturing the struggle of a young artist unsure of the meaning or value of his art. Even major events, like the 2004 Madrid train bombings, are simply moments that Adam is both witness to and separate from; entering into a conversation around the wreckage, he argues: "Poetry makes nothing happen." Lerner succeeds in drawing out the problems inherent in art, expectation, and communication. And his Adam is a complex creation, relatable but unreliable, humorous but sad, at once a young man adrift and an artist intensely invested in his surroundings.

  • Publishers Weekly "[A] noteworthy debut...Lerner has fun with the interplay between the unreliable spoken word and subtleties in speech and body language, capturing the struggle of a young artist unsure of the meaning or value of his art...[and] succeeds in drawing out the problems inherent in art, expectation, and communication. And his Adam is a complex creation, relatable but unreliable, humorous but sad, at once a young man adrift and an artist intensely invested in his surroundings."
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Leaving the Atocha Station
Leaving the Atocha Station
Ben Lerner
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